ONE NOTE: I didn't put Last Week Tonight with John Oliver on this list because I always forget to categorize it as a TV show and not just, like, a way of life. But rest assured I love it. It's the best news-comedy hybrid on television right now, which is not nothing in a world with The Daily Show and the swan song of The Colbert Report. SORRY, JOHN OLIVER, but I love you anyway. Oh, and the same can be said of The Chris Gethard Show, which I also love but forget it's a television show and not just a hangout with some old, weird friends. I LOVE YOU TOO, CHRIS GETHARD. I LOVE EVERYTHING. Actually, I'm hoping to do an individual piece on The Chris Gehtard Show sooner rather than later so I'll give it the love it's due then. Until then, enjoy this list, if you want to!
20. Parks & Recreation
Now in its sixth season, it's only natural that Parks & Rec has lost some of the element of surprise from the time when it was a transcendent and refreshing spin on the old workplace comedy chestnut. But although this past season was probably the show's weakest, it still managed to be a funny, entertaining and consistently delightful half-hour, and considering the amount of affection we've stacked up for these characters over the years, that's enough to keep enjoying our time in Pawnee. Especially impressive was the shows' finale, which changed up its game quite considerably for its upcoming final season and proved that maybe it did have a few more tricks left in its bag after all.
Standout Episodes: "Ann and Chris", "Galentines' Day II", "Moving Up"
19. Black-ish
In a season that has made a strong case for the idea that cable has completely replaced network as the go-to for good comedy on TV, Black-ish has remained an important "except for...", as it's the only new network comedy this season that shows any sort of promise for the future of the medium. But Black-ish didn't earn the distinction of the seasons' best new comedy by default - it's a hilarious and creative family sitcom, one that balances social issues and family hijinks better than any show has managed to do in probably decades. Not only that, but the Johnsons are just a genuinely awesome family, the kind of TV family that you look forward to spending some time with every week. Shows like Black-ish are perhaps the last remaining argument for the worth of the network sitcom. Also, it's just really funny.
Standout Episodes: "Crazy Mom", "The Prank King", "Black Santa/White Christmas"
18. Archer
At the beginning of its fifth season, Archer unexpectedly blew the lid off of its entire premise, ditching the spy agency that had been so kind to it in the past four years and sending its characters on a crazy quest as newfound cocaine dealers. While the season didn't quite live up to the tall order that its premiere set up, it was still a reinvigorated season for the show, with a lot of interesting twists on character dynamics that were beginning to feel a little bit stale. As it heads into its sixth season with a return to the status quo mixed with some new surprises, Archer feels like it's in solid hands, and it can thank some of the experimental done by Archer Vice for it.
Standout Episodes: "White Elephant", "Baby Shower", "Arrival/Departure"
17. New Girl
In the second half of its third season, New Girl showed some signs of losing its way. The Jess/Nick relationship, while entertaining, was beginning to push the other members of its ensemble out of the picture, and the show seemed to be struggling to balancing it with all of the other changes it integrated in the third season, such as the addition of Coach and new endeavors for Winston. Luckily, the show seemed to realize this and quickly course corrected in its fourth season, which might just be the most consistent season of the show yet, even if it doesn't reach the heights of the all-timer that was Season 2. Still, Season 4 of New Girl has managed to be a reliable dose of well-executed farce week after week, with a sprinkle of the characterization that made the show jump out in its early seasons. It may not be the world beater it once seemed to be, but damn if it isn't still one of the funniest shows on TV.
Standout Episodes: "Basketball", "The Last Wedding", "Background Check"
16. Community
With Dan Harmon back at the helm, 2014 was a comeback year for Community after the deep trenches of the gas leak year. While the show has definitely begun to feel like a late-in-life sitcom at times (see also: my Parks & Rec write-up) it still manages to pump out episodes that rank among the most daring things I've seen a half-hour sitcom attempted, and given how much experimentation the form recieved this year, that's actually a pretty big statement. The 5th season also turned out to be the final one of the show's run on NBC, as it moves to its new home on the internet next year, where it has always seemed destined to be. As long as it continue to pump out ideas as fresh and hilarious as commemorative sperm jars and MeowMeowBeenz, I'll support it wherever it goes.
Standout Episodes: "Cooperative Polygraphy", "Bondage and Beta Male Sexuality", "App Development and Condiments"
15. The Middle
Year after year, everyone forgets about The Middle when it comes time to do year-end lists, despite the fact that it has been one of the most consistently great network sitcoms for at least four seasons now. The show continuously manages to breath new life into the family sitcom format, portraying characters who are unique both for the form and for television in general, and by not pulling any punches when it comes to its honesty about the Hecks' financial situation and almost constant sense of conflict. As its characters age, The Middle is finding more and more ways to dig comic honesty out of the world of small-town America characters its created, and it's only continuing to be an absolute joy to watch.
Standout Episodes: "Major Anxiety", "The Sink Hole", "The Christmas Wall"
14. Brooklyn Nine-Nine
After a strong start last fall, Brooklyn Nine-Nine solidified its place this year as one of the best ensemble shows on all of television, with a cast that completely pulls its weight in every direction and an array of characters that are diverse not just in their ethnicity but in their approaches to the world in general. The second season of the show has done a great job of deepening the roots between these characters and examining their bonds while beginning to experiment a bit with longer-term plotting, even successfully toying around with the idea of romantic arcs (though not going too far in that direction yet, thankfully). Like Black-ish, Brooklyn Nine-Nine is proving the strength of a show with a great group of characters that you look forward to spending 22+ weeks a year with.
Standout Episodes: "The Bet", "The Road Trip", "The Pontiac Bandit Returns"
13. Louie
After a too-long hiatus, Louie returned this year with its more ambitious season yet, a season that almost completely abandoned the shows' previous structure of short, contained stories and instead focused on developing longer and even feature-length arcs. Still, the shows' sense of hard truth and deep-rooted emotional turmoil continued as Louie explored his relationship with the various women in his life, from his daughters to longtime companion (and new girlfriend?) Pamela to his past relationship with his own mother. While this was arguably Louie's most inconsistent season yet, what it lacked in consistency it made up for in sheer ambition.
Standout Episodes: "Model", "So Did the Fat Lady", "Into the Woods"
12. Transparent
The first great show to be produced by Amazon Prime, Transparent - not unlike fellow streaming exclusive Orange is the New Black - uses its niche delivery method to tell a story that would struggle to get attention from a major television network. In this case, it's the story of Maura Pfefferman, a transgender woman who has recently settled upon officially making the transition late in her life. Transparent's groundbreaking story of Maura alone was enough to make it one of the most captivating shows of the year, but the way it used Maura's revelation to deconstruct the rest of the Pfefferman clan's assumed gender and sexuality roles only added to the fact that this was one of the most intriguing new shows of the year.
Standout Episodes: "The Wilderness", "Symbolic Exempar", "Best New Girl"
11. Nathan for You
Nathan for You was one of the strangest and most delightful pieces of pop culture I consumed this year, constantly keeping me on the edge of my feet more than most drama series are capable of doing. The shows' unique mix of cringe comedy, mockumentary, and reality show spoof continuously come together to produce some of the most hilarious television I've ever seen. In Season 2, the show began to hit on points of genuine pathos, as it gradually turned into the story of desperate inclusion for its lonely host. There's absolutely nothing on television like Nathan for You, which is what makes it something you absolutely need to watch.
Standout Episodes: "Souvenir Shop/E.L.A.I.F.F", "Dumb Starbucks", "Daddy's Watching/Party Planner"
10. Doctor Who
It's hard for me to remain unbiased with a show like Doctor Who, a show that appeals so directly to each and every one of my personal preferences, but I don't think it's my bias speaking when I say that this season was one of the very best seasons the show has done to date. Peter Capaldi as the 12th Doctor has brought a new energy to the character, one that gets down to the anger and ache that always exists under the surface but is finally being brought out to the light. And also adding to a great season was Jenna Coleman, whose character Clara rebounded from some spotty characterization last season to become a really great antidote to the smarmy darkness that Capaldi brought to the table. The show used this perfect pairing to create a season that constantly put the very fabric of the show into question and reinvigorated the series to heights I wasn't even sure if it was still possible to reach. Capaldi is thankfully signed on for another season, and hopefully he can keep pushing the show into uncharted and exciting territory.
Standout Episodes: "Listen", "Kill the Moon", "Flatline"
9. Review
2014 was full of great, alternative comedies that ripped apart the sitcom structure and created something new and meaningful out of it. Out of all of the shows, the one that went to the most delightfully weird places was Review, a show about star reviewer Forrest MacNeil and his quest to review everything that his shows' viewers throw at him. Review would be great even if it was just the satire of critics that it appeared to be on the surface, but it soon became a dark, morbid tale of a man destroying his entire life for the sake of a silly television show, become one of the funniest shows of the year, as well as one of the saddest, darkest, and most disturbing. If 2014 is remembered as the year alternative comedy came to dominate the cable airwaves, Review will be a proud, strange and beautiful artifact of that movement.
Standout Episodes: "Pancake, Divorce, Pancakes", "Best Friend/Space, "Road Rage/Orgy"
8. Veep
After two seasons of portraying Selena Meyer as a comically inept narcissist, Veep took it to the next level this year by portraying her as something truly disturbing: a possible presidential candidate. This gave the show an added levity to its already near-constantly firing machine of beautifully crafted insults and nihilistic political humor, as all of the massive and terrifying fuck-ups Selena and her team encountered now actually mattered. It also allowed the show to cover some heated topics like abortion and equality with its trademark dark humor that doesn't even try to fix anything but instead points out just how massively screwed up it all is. With a surprise twist at the end of the season, the next season of Veep proves to be even more of a depressing, hilarious and painful journey to political turmoil for Selena Meyer.
Standout Episodes: "The Choice", "Alicia", "Debate"
7. The Americans
In Season 1, The Americans was a gripping spy thriller, an unprecented role reversal that took a deeper look into what we always perceived were the "bad guys" in the Cold War. In Season 2, the show took a leap and became not just a spy thriller (though it was still very good at being that) but an analysis of what its characters value, how much they value it, and a test of how far they were willing to go to preserve it. Kicking off with a gruesome murder in the season premiere, constant fear crept around the surface of The Americans this year as Phillip and Elizabeth began to wonder whether their career was putting their childrens' wellbeing at stake. It all cultivated in a huge, unprecedented twist in its season finale that will make the shows' third season answer some very, very tough questions.
Standout Episodes: "Comrades", "Behind the Red Door", "Martial Eagle"
6. Orange is the New Black
It was going to be nearly impossible for Orange is the New Black to top its first season, a total surprise that burst onto the scene and practically made us rethink the way we all watched television. And yet...Season 2 somehow managed to, or at the very least, managed to match it. The second season expanded upon the shows' already giant universe, filling in the backstories for beloved characters like Taystee and Suzanne while simultaneously giving shades to characters that fell under the radar in the first season but came into prominent fruition in Season 2, such as cancer patient Rosa - nearly an afterthought in Season 1 that wound up being one of the key heroes this year. Between the addition of Vee and the divide she placed in the prison to the continuing saga of Piper and Alex to the isolation of Red from her prison family to the shocking dismantling of our perceptions of Morello to the strange friendship of Healy and Pennssatucky, Season 2 continued to do its job of making each and every inmate at Litchfield feel like a fully-rounded person that truly matters, and that mindset is what separates Orange from nearly anything else on TV.
Standout Episodes: "A Whole Other Hole", "You Also Have a Pizza", "We Have Manners, We're Polite"
5. Rick and Morty
In a year of amazing comedy, Rick and Morty was a true highlight, a show bursting at the seams with creativity. Centered around the Back to the Future-esque adventures of grandfather Rick and his grandson Morty as they travel through time, space, and reality, Rick and Morty blended comedy and hard science fiction more successfully than any show this side of Futurama. Week after week, Rick and Morty took us to heights that seemed more ridiculous, more exciting and more amazing than anything we'd seen before, all while grounding itself in some genuinely moving family drama. That kind of balance is so incredibly hard to pull off, but Rick and Morty did it with aplomb, making me extremely eager to see what the show can come up with next.
Standout Episodes: "Lawnmower Dog", "Rixty Minutes", "Close Rick-counters of the Rick Kind"
4. Mad Men
Thanks to AMC scheduling tomfoolery, Mad Men only aired seven episodes in 2014, but those seven episodes were something of a revelation. After the turmoil of last years' finale, Season 7 dealt with an exploded status quo - one that spelled out a dark end for our "hero" Don Draper. And yet, these seven episodes turned out to be more than just Don's death knell. They were the start of what I'm sure will be a doozy of an ending, a collection of episodes that brought together seven seasons worth of relationships and put a magnifying glass to them, showing which relationships were true and once were sprinkled with the artificiality that the characters of Mad Men treat as a second language at this point. The final absurdist scene, featuring a dead Bert Cooper singing to Don about how "the best things in life are free", brought everything this season was to a close: strange, surprising, a little disturbing... and yet somehow making perfect sense.
Standout Episodes: "A Days' Work", "The Strategy", "Waterloo"
3. You're the Worst
Romantic comedy is an old chestnut at this point, so that only makes it even more surprising just how excellent You're the Worst turned out to be. By putting its leads together in the pilot and slowly deconstructing all of the expected romcom tropes, the show was able to focus in on its characters and create two people that we didn't just want to see get together, but that we just wanted to see, because they were both relatable, funny, and well-drawn characters. You're the Worst also benefited from being more than just Jimmy and Gretchen's story - Lindsay and Edgar served as supporting characters that gawk at the idea of just being supporting characters, demanding that Jimmy and Gretchen treat them on their own accord. Additionally, characters like Becca & Todd, Allan, and a special bookstore cat added to the mix to prove that You're the Worst wasn't just about Jimmy and Gretchen's relationship, it was also about the comical, screwed up world that they both inhabit, which only added to the richness of their compelling hook-up. Renewed for a second season, I'm really excited to see where You're the Worst will take that world when it returns next year.
Standout Episodes: "Sunday Funday", "Finish Your Milk", "Fists and Feet and Stuff"
2. Bob's Burgers
Another year, another string of amazing episodes with the Belchers, my favorite TV family with some of my absolute favorite TV characters. Bob's Burgers continued to deliver total acceptance in form of warm, weird, occasionally gross but always hysterical comedy, and this season saw the show produce some of its strongest and most creative ideas yet, from the My Little Pony spoof The Equestranauts that had some interesting things to say about cartoon fanbases, to a Working Girl/Die Hard musical entitled Work Hard or Die Trying, Girl, to a new and improved(?) use for baked beans. As you can see, I love a lot of television shows, so it means something when I say there's no show whose world I look forward to joining more than the loving and twisted world of Bob's Burgers.
Standout Episodes: "Mazel-tina", "The Equestranauts", "Dawn of the Peck"
1. Broad City
I've mentioned several times what an amazing year this was for comedy, and I don't think there's a show that represents that better than Broad City, which was the show I laughed at the most in 2014 and also introduced me and the rest of the world to the comic stylings of Abbi Jacobson and Ilana Glazer, whose humor offers a worldview that differs from anyone else's making television - both in terms of how upfront and honest it is about the struggles of young women in a big city (what other show would coin the phrase 'pussy weed'?) and in terms of just how beautifully, amazingly strange it is at every turn. The humor of Broad City is unlike any other - it's surreal yet grounded in some deep-rooted truth, it's smart and yet unafraid to appeal to its dirtiest impulses, and most importantly, it's just so fucking funny. This year in TV will be remembered as the year so many unique comic voices received a platform to share their stories, and the year that television proved there wasn't one specific way to tell a comedy story. And there's no better show that exemplified all of that than the fearless breath of fresh air that was Broad City.
Standout Episodes: "Working Girls", "Destination Wedding", "The Last Supper".
THERE'S MY LIST. Have a wonderful holiday season and watch all of these shows if you haven't. DO IT NOW.
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