Friday, December 19, 2014

A guide to the best Christmas TV episodes

The Christmas season is here, and you know what that means: TELEVISION. Because that's what everything means!

Seriously, Christmas specials are one of the key components of the Christmas season for me. There's something about the characters from my favorite shows indulging in yuletide cheer and getting festive that just...gets to me. So I've compiled a list of some of my favorite TV Christmas episodes. These are the episodes I typically have on repeat this time of year, so please enjoy them and do not shatter my soul by saying they suck.

Community - "Abed's Uncontrollable Christmas"
















Community might be the show with the best track record for Christmas episodes - gas leak year aside, every Christmas episode the show produced was a classic, from Season 1's heartfelt and down-to-earth "Comparative Religion" to Season 3's nightmare-inducing Glee parody "Regional Holiday Music". But I have a special place in my heart for "Abed's Uncontrollable Christmas", which is not only my favorite Community Christmas episode but one of my favorite pieces of Christmas pop culture in general. "Abed's Uncontrollable Christmas" is simultaneously exploding with cheer and deeply depressing - which, to my mind, are the only two emotions that should ever be used when depicting the Christmas season. It follows Abed as he has a serious psychological breakdown after his mother tells him she won't be visiting him for Christmas anymore - he begins seeing his entire life as if it's a stop motion Christmas special where his only task is to find the true meaning of Christmas. The way his perplexed and worried friends put aside their hesitations and join him in his Christmas wonderland of delusion is completely heartwarming in a way that makes me tear up every time I watch this episode, and it also delivers perhaps the best "meaning of Christmas" I've ever been given: "the meaning of Christmas is the idea that Christmas has meaning." "Abed's Uncontrollable Christmas" is basically all of my tender, cynical, and painfully nostalgic about Christmas all wrapped up into a funny, heartwarming, slightly devastating and just all around beautiful half-hour of television. 

30 Rock - "Christmas Special"














30 Rock's approach to holiday cheer is to cynically expose some of the darker aspects of the holiday while mixing in few doses of the genuine pathos and comfort that the season can bring, which is exemplified well in plotlines like Colleen ruining Liz's Christmas to prove to Jack that she's not so screwed up after all, or a montage of Jenna and Paul dressed up as 2 "black Swans" singing O Holy Night. But the episode that nails this balance best is Season 3's "Christmas Special", which finds Jack accidentally running over his mother with his car and having to care for her through the holiday season. The entire episode is about people whose Christmases aren't lining up how they wanted them to and the ways they deal with it - Liz being left in the dust by her family this year results in her overcompensating with a Letters to Santa program, and Jack's unexpected holiday with his mother leads to him forcing the TGS crew to put together a live Christmas Eve special where he can make up for all of the Christmas Eves spent playing piano as his mother went to town on a random dude in their living room. But it's this haphazard special that leads to Liz helping Jack realize that the reason her mother spent Christmas Eve putting out was so that him and his siblings could afford presents that year. It's the mix of sick, sweet, disturbing and heartwarming that 30 Rock portrayed so well in its Christmas episodes.

Parks & Recreation - "Citizen Knope"

















"Citizen Knope" is more of a Christmas-adjacent episode than a full out Christmas episode, centering around Leslie's adventures as she deals with her suspension from city hall after the fallout of her relationship with Ben. But it still uses the season of giving to build a seriously heartwarming plotline in which the entire Parks departments gets together to show their support for Leslie and offer to take over her terminated City Council campaign, doing so in the form of an elaborate Gingerbread house. That's the entire spirit of Christmas distilled in one plotline right there, and it's also the spirit of Parks & Rec, whose shiny optimism that comes out of even the most unfortunate circumstances is a perfect fit for the Christmas season.

Bob's Burgers - "Christmas in the Car"















Bob's Burgers is a show that often puts our beloved Belcher clan in dire circumstances and than uses off-beat humor and surprising acceptance to get them out of it, and "Christmas in the Car" does that with a little Christmas sprinkle. The Belchers set out on Christmas Eve to find a new tree after their old one dies and wind up on a seemingly life-threatening chase by a giant Candy Cane truck. Of course, in typical Bob's fashion, everything gets a warm and mushy ending when Bob and the truck driver come to an understand and exchange dutch babies. Don't worry, it'll all make sense if you're a Bob's Burgers fan.

American Dad - "Rapture's Delight"













American Dad is sometimes unfairly accused of being a rip-off of Family Guy, which is totally unfair because it's way better than Family Guy has ever been. While Family Guy has devolved into a lazy conveyor belt of shock humor, American Dad at its best is a completely surreal, absurdist animated comedy that goes to weirder depths than nearly any non-Adult Swim show I've ever seen. "Rapture's Delight" is the perfect example of that, as it takes what seems like a normal Christmas episode and turns it into a story about the rapture, the antichrist, and Armaggedon. The extent the show commits to this is impressive enough, but the way they managed to interject the typical Christmas show sentiment without losing a touch of the extreme absurdity and darkness of the rapture is what makes this a true Christmas classic to be enjoyed through the ages.

Doctor Who - "A Christmas Carol"















Doctor Who airs a Christmas special on Christmas Day every year, but none of them are really true Christmas classics - if they're not dealing with a regeneration (as many of them do) then they're typically bland and watered down byproducts of the show itself, often placing easily marketable concepts and guest stars over anything resembling actual quality. (Remember the one where Kylie Minogue rode the Titanic?) But the one exception to this is 2010's "A Christmas Carol", the best Christmas special the show has ever produced by a long shot, and an episode that truly does feel like the holiday classic a Doctor Who Christmas special should aspire to be. The episode is a takeoff of, yes, A Christmas Carol, centering around the Doctor trying to change the childhood Christmases of an evil and powerful man named Kazran Sardick who is tasked with saving Amy and Rory's lives by releasing them from the cloud they're trapped on but refuse to do it. Doctor Who is at its best when it's able to mix its ambitious sci-fi concepts with deep-rooted human emotion, and this special truly shines in that regard, as the Doctor's travels through Sardick's past tap into some really heartbreaking and heavily nostalgic Christmas feelings for pretty much anyone who's ever been a child on Christmas before. Not every Doctor Who Christmas special meets the mark, but this one is so good it makes up for all of the other ones.

South Park - "Woodland Critter Christmas"

















You know what this is. It is the most beautiful, fucked up, disturbing, horrifying Christmas special to ever air. Yes, I love Mr. Hanky too, but this is a work of dark art and it needs to be seen by all. 

Thursday, December 18, 2014

The weirdest, most wonderful TV moments of 2014

In our viral, millennial culture (ugh, someone punch me for that please), it's more important than ever to create individual scenes and moments that stick out and stay in our brains. 2014 saw so many oddly creative, completely weird, and totally surreal moments that have stuck with me, in some cases, for months and months, so I thought I'd make a quick list compiling the best, weirdest, most memorable TV moments of 2014 in no particular order.

Orange is the New Black - Morello's Backstory

(From Season 2, Episode 4: "A Whole Other Hole")

Through out all of the first season, we heard tales of Morello's fiance on the outside, sort of wondering why he never visited but nevertheless generally accepting her tales of a happy future outside of Litchfield. All of that was devastatingly destroyed in a single montage, which revealed that Morello's fiance is an ex that she spent years stalking and is continuing to do so, using the prison van to find his house, put on his real fiance's wedding dress, and live out the fantasy that she's convincing everyone is real. I couldn't find a clip of the actual scene, so just use this YouTube clip of "Almost Paradise", a cheesy love ballad that the show scored the scene with, turning it into a terrifying and heartbreaking cry for help.



Mad Men - Bert Cooper Serenades Don Draper

(From Season 7, Episode 7: "Waterloo") 

Some fairly major spoilers for Mad Men Season 7 follow, so if you haven't caught up, don't read. If you do read, then it's your own goddamn fault.  Some shows might put a tense cliffhanger as the close to the first half of their final season, but Mad Men, instead, decided to have a recently deceased character come back from the dead and serenade its protagonist about the soul-sucking contract he has just signed. And we wouldn't have it any other way.




Too Many Cooks

Too Many Cooks is an 11-minute short that premiered on Adult Swim's "Infomercial" block at 4 AM, got uploaded to YouTube by a bunch of stoners, and completely captivated the country for a few weeks. I don't need to explain why. I can't do it justice. I just need you to watch it. 




Community - Dean Pelton's Peanut Rap

(From Season 5, Episode 9: "VCR Maintenance and Educational Publishing") 

The Dean has had many different costumes over the years, but the best of them all came this season, when he dressed up as a peanut and offers an apology rap that quickly turns racial and disturbing. This is perhaps Jim Rash's best work ever, including that movie he won an Oscar for.





Rick and Morty - "Saturday Night Live of the Future" 

(From Season 1, Episode 8: "Rixty Minutes")

The "Rixty Minutes" episode of Rick and Morty is probably my favorite TV episode of the year, and part of that is due to the completely improvised intergalactic TV show ads. One of the best was what Rick and Morty imagines a futuristic SNL would look like, starring a bunch of inanimate objects and Bobby Moynihan. 




Bob's Burgers - "Work Hard or Die Tryin', Girl"

(From Season 5, Episode 1: "Work Hard or Die Tryin', Girl") 

Bob's Burgers produces some of the best music around, and that all came to a head when the show had Gene produce a musical that puts together Die Hard and Working Girl, creating the beautiful speicman known as..."Work Hard or Die Tryin', Girl."



Broad City - "Eight Fucking Thousand Dollars"

(From Season 1, Episode 9: "Apartment Hunters")

When Broad City opened its ninth episode with an elaborate music video parody, I was confused and thought I had changed the channel or something. Then I realized: nope. This is a music video, that they created, to showcase Abbi's $8,000 check from a dating service that used one of her drawings. It's wonderful, as is the snap back to reality after the fact.






Wednesday, December 17, 2014

Best TV of 2014

With a vast array of television shows to choose from each year, it seems a little bit redundant to declare each year the "best one" for the medium. And yet, every year it's hard not to do that, as the huge amount of content available to us produces so much amazing material that you have to get excited about it. The past few years of television have felt especially vital, too - they've been years of change, both in the television shows we consume with old stalwarts like Mad Men, 30 Rock, Breaking Bad, and Parks and Rec either ended or ending soon, to the way that the consumption of television is rapidly reinventing itself. This list features shows from network television, cable, and streaming services - a variety that would've been unthinkable even five or six years ago. So here I break down the top 20 shows that best captivated my interest this year. I went with 20 because there was so much good stuff on this year that I felt too bad leaving anything out. I know I'm indecisive, okay?! LEAVE ME ALONE.

ONE NOTE: I didn't put Last Week Tonight with John Oliver on this list because I always forget to categorize it as a TV show and not just, like, a way of life. But rest assured I love it. It's the best news-comedy hybrid on television right now, which is not nothing in a world with The Daily Show and the swan song of The Colbert Report. SORRY, JOHN OLIVER, but I love you anyway. Oh, and the same can be said of The Chris Gethard Show, which I also love but forget it's a television show and not just a hangout with some old, weird friends. I LOVE YOU TOO, CHRIS GETHARD. I LOVE EVERYTHING. Actually, I'm hoping to do an individual piece on The Chris Gehtard Show sooner rather than later so I'll give it the love it's due then. Until then, enjoy this list, if you want to!

20. Parks & Recreation


Now in its sixth season, it's only natural that Parks & Rec has lost some of the element of surprise from the time when it was a transcendent and refreshing spin on the old workplace comedy chestnut. But although this past season was probably the show's weakest, it still managed to be a funny, entertaining and consistently delightful half-hour, and considering the amount of affection we've stacked up for these characters over the years, that's enough to keep enjoying our time in Pawnee. Especially impressive was the shows' finale, which changed up its game quite considerably for its upcoming final season and proved that maybe it did have a few more tricks left in its bag after all.

Standout Episodes: "Ann and Chris", "Galentines' Day II", "Moving Up"

19. Black-ish




















In a season that has made a strong case for the idea that cable has completely replaced network as the go-to for good comedy on TV, Black-ish has remained an important "except for...", as it's the only new network comedy this season that shows any sort of promise for the future of the medium. But Black-ish didn't earn the distinction of the seasons' best new comedy by default - it's a hilarious and creative family sitcom, one that balances social issues and family hijinks better than any show has managed to do in probably decades. Not only that, but the Johnsons are just a genuinely awesome family, the kind of TV family that you look forward to spending some time with every week. Shows like Black-ish are perhaps the last remaining argument for the worth of the network sitcom. Also, it's just really funny.

Standout Episodes: "Crazy Mom", "The Prank King", "Black Santa/White Christmas"

18. Archer
















At the beginning of its fifth season, Archer unexpectedly blew the lid off of its entire premise, ditching the spy agency that had been so kind to it in the past four years and sending its characters on a crazy quest as newfound cocaine dealers. While the season didn't quite live up to the tall order that its premiere set up, it was still a reinvigorated season for the show, with a lot of interesting twists on character dynamics that were beginning to feel a little bit stale. As it heads into its sixth season with a return to the status quo mixed with some new surprises,  Archer feels like it's in solid hands, and it can thank some of the experimental done by Archer Vice for it.

Standout Episodes: "White Elephant", "Baby Shower", "Arrival/Departure"

17. New Girl


















In the second half of its third season, New Girl showed some signs of losing its way. The Jess/Nick relationship, while entertaining, was beginning to push the other members of its ensemble out of the picture, and the show seemed to be struggling to balancing it with all of the other changes it integrated in the third season, such as the addition of Coach and new endeavors for Winston. Luckily, the show seemed to realize this and quickly course corrected in its fourth season, which might just be the most consistent season of the show yet, even if it doesn't reach the heights of the all-timer that was Season 2. Still, Season 4 of New Girl has managed to be a reliable dose of well-executed farce week after week, with a sprinkle of the characterization that made the show jump out in its early seasons. It may not be the world beater it once seemed to be, but damn if it isn't still one of the funniest shows on TV.

Standout Episodes: "Basketball", "The Last Wedding", "Background Check"

16. Community















With Dan Harmon back at the helm, 2014 was a comeback year for Community after the deep trenches of the gas leak year. While the show has definitely begun to feel like a late-in-life sitcom at times (see also: my Parks & Rec write-up) it still manages to pump out episodes that rank among the most daring things I've seen a half-hour sitcom attempted, and given how much experimentation the form recieved this year, that's actually a pretty big statement. The 5th season also turned out to be the final one of the show's run on NBC, as it moves to its new home on the internet next year, where it has always seemed destined to be. As long as it continue to pump out ideas as fresh and hilarious as commemorative sperm jars and MeowMeowBeenz, I'll support it wherever it goes.

Standout Episodes: "Cooperative Polygraphy", "Bondage and Beta Male Sexuality", "App Development and Condiments"

15. The Middle













Year after year, everyone forgets about The Middle when it comes time to do year-end lists, despite the fact that it has been one of the most consistently great network sitcoms for at least four seasons now. The show continuously manages to breath new life into the family sitcom format, portraying characters who are unique both for the form and for television in general, and by not pulling any punches when it comes to its honesty about the Hecks' financial situation and almost constant sense of conflict. As its characters age, The Middle is finding more and more ways to dig comic honesty out of the world of small-town America characters its created, and it's only continuing to be an absolute joy to watch.

Standout Episodes: "Major Anxiety", "The Sink Hole", "The Christmas Wall"

14. Brooklyn Nine-Nine

















After a strong start last fall, Brooklyn Nine-Nine solidified its place this year as one of the best ensemble shows on all of television, with a cast that completely pulls its weight in every direction and an array of characters that are diverse not just in their ethnicity but in their approaches to the world in general. The second season of the show has done a great job of deepening the roots between these characters and examining their bonds while beginning to experiment a bit with longer-term plotting, even successfully toying around with the idea of romantic arcs (though not going too far in that direction yet, thankfully). Like Black-ish, Brooklyn Nine-Nine is proving the strength of a show with a great group of characters that you look forward to spending 22+ weeks a year with.

Standout Episodes: "The Bet", "The Road Trip", "The Pontiac Bandit Returns"

13. Louie 

















After a too-long hiatus, Louie returned this year with its more ambitious season yet, a season that almost completely abandoned the shows' previous structure of short, contained stories and instead focused on developing longer and even feature-length arcs. Still, the shows' sense of hard truth and deep-rooted emotional turmoil continued as Louie explored his relationship with the various women in his life, from his daughters to longtime companion (and new girlfriend?) Pamela to his past relationship with his own mother. While this was arguably Louie's most inconsistent season yet, what it lacked in consistency it made up for in sheer ambition. 

Standout Episodes: "Model", "So Did the Fat Lady", "Into the Woods" 


12. Transparent












The first great show to be produced by Amazon Prime, Transparent - not unlike fellow streaming exclusive Orange is the New Black  - uses its niche delivery method to tell a story that would struggle to get attention from a major television network. In this case, it's the story of Maura Pfefferman, a transgender woman who has recently settled upon officially making the transition late in her life. Transparent's groundbreaking story of Maura alone was enough to make it one of the most captivating shows of the year, but the way it used Maura's revelation to deconstruct the rest of the Pfefferman clan's assumed gender and sexuality roles only added to the fact that this was one of the most intriguing new shows of the year.

Standout Episodes: "The Wilderness", "Symbolic Exempar", "Best New Girl"

11. Nathan for You















Nathan for You was one of the strangest and most delightful pieces of pop culture I consumed this year, constantly keeping me on the edge of my feet more than most drama series are capable of doing. The shows' unique mix of cringe comedy, mockumentary, and reality show spoof continuously come together to produce some of the most hilarious television I've ever seen. In Season 2, the show began to hit on points of genuine pathos, as it gradually turned into the story of desperate inclusion for its lonely host. There's absolutely nothing on television like Nathan for You, which is what makes it something you absolutely need to watch.

Standout Episodes: "Souvenir Shop/E.L.A.I.F.F", "Dumb Starbucks", "Daddy's Watching/Party Planner"

10. Doctor Who













It's hard for me to remain unbiased with a show like Doctor Who, a show that appeals so directly to each and every one of my personal preferences, but I don't think it's my bias speaking when I say that this season was one of the very best seasons the show has done to date. Peter Capaldi as the 12th Doctor has brought a new energy to the character, one that gets down to the anger and ache that always exists under the surface but is finally being brought out to the light. And also adding to a great season was Jenna Coleman, whose character Clara rebounded from some spotty characterization last season to become a really great antidote to the smarmy darkness that Capaldi brought to the table. The show used this perfect pairing to create a season that constantly put the very fabric of the show into question and reinvigorated the series to heights I wasn't even sure if it was still possible to reach. Capaldi is thankfully signed on for another season, and hopefully he can keep pushing the show into uncharted and exciting territory. 

Standout Episodes: "Listen", "Kill the Moon", "Flatline"

9. Review



2014 was full of great, alternative comedies that ripped apart the sitcom structure and created something new and meaningful out of it. Out of all of the shows, the one that went to the most delightfully weird places was Review, a show about star reviewer Forrest MacNeil and his quest to review everything that his shows' viewers throw at him. Review would be great even if it was just the satire of critics that it appeared to be on the surface, but it soon became a dark, morbid tale of a man destroying his entire life for the sake of a silly television show, become one of the funniest shows of the year, as well as one of the saddest, darkest, and most disturbing. If 2014 is remembered as the year alternative comedy came to dominate the cable airwaves, Review will be a proud, strange and beautiful artifact of that movement.

Standout Episodes: "Pancake, Divorce, Pancakes", "Best Friend/Space, "Road Rage/Orgy"

8. Veep

After two seasons of portraying Selena Meyer as a comically inept narcissist, Veep took it to the next level this year by portraying her as something truly disturbing: a possible presidential candidate. This gave the show an added levity to its already near-constantly firing machine of beautifully crafted insults and nihilistic political humor, as all of the massive and terrifying fuck-ups Selena and her team encountered now actually mattered. It also allowed the show to cover some heated topics like abortion and equality with its trademark dark humor that doesn't even try to fix anything but instead points out just how massively screwed up it all is. With a surprise twist at the end of the season, the next season of Veep proves to be even more of a depressing, hilarious and painful journey to political turmoil for Selena Meyer. 

Standout Episodes: "The Choice", "Alicia", "Debate"

7. The Americans

In Season 1, The Americans was a gripping spy thriller, an unprecented role reversal that took a deeper look into what we always perceived were the "bad guys" in the Cold War. In Season 2, the show took a leap and became not just a spy thriller (though it was still very good at being that) but an analysis of what its characters value, how much they value it, and a test of how far they were willing to go to preserve it. Kicking off with a gruesome murder in the season premiere, constant fear crept around the surface of The Americans this year as Phillip and Elizabeth began to wonder whether their career was putting their childrens' wellbeing at stake. It all cultivated in a huge, unprecedented twist in its season finale that will make the shows' third season answer some very, very tough questions.

Standout Episodes: "Comrades", "Behind the Red Door", "Martial Eagle"

6. Orange is the New Black


It was going to be nearly impossible for Orange is the New Black to top its first season, a total surprise that burst onto the scene and practically made us rethink the way we all watched television. And yet...Season 2 somehow managed to, or at the very least, managed to match it. The second season expanded upon the shows' already giant universe, filling in the backstories for beloved characters like Taystee and Suzanne while simultaneously giving shades to characters that fell under the radar in the first season but came into prominent fruition in Season 2, such as cancer patient Rosa - nearly an afterthought in Season 1 that wound up being one of the key heroes this year. Between the addition of Vee and the divide she placed in the prison to the continuing saga of Piper and Alex to the isolation of Red from her prison family to the shocking dismantling of our perceptions of Morello to the strange friendship of Healy and Pennssatucky, Season 2 continued to do its job of making each and every inmate at Litchfield feel like a fully-rounded person that truly matters, and that mindset is what separates Orange from nearly anything else on TV.

Standout Episodes: "A Whole Other Hole", "You Also Have a Pizza", "We Have Manners, We're Polite"

5. Rick and Morty

In a year of amazing comedy, Rick and Morty was a true highlight, a show bursting at the seams with creativity. Centered around the Back to the Future-esque adventures of grandfather Rick and his grandson Morty as they travel through time, space, and reality, Rick and Morty blended comedy and hard science fiction more successfully than any show this side of Futurama. Week after week, Rick and Morty took us to heights that seemed more ridiculous, more exciting and more amazing than anything we'd seen before, all while grounding itself in some genuinely moving family drama. That kind of balance is so incredibly hard to pull off, but Rick and Morty did it with aplomb, making me extremely eager to see what the show can come up with next.

Standout Episodes: "Lawnmower Dog", "Rixty Minutes", "Close Rick-counters of the Rick Kind"

4. Mad Men


Thanks to AMC scheduling tomfoolery, Mad Men only aired seven episodes in 2014, but those seven episodes were something of a revelation. After the turmoil of last years' finale, Season 7 dealt with an exploded status quo - one that spelled out a dark end for our "hero" Don Draper. And yet, these seven episodes turned out to be more than just Don's death knell. They were the start of what I'm sure will be a doozy of an ending, a collection of episodes that brought together seven seasons worth of relationships and put a magnifying glass to them, showing which relationships were true and once were sprinkled with the artificiality that the characters of Mad Men treat as a second language at this point. The final absurdist scene, featuring a dead Bert Cooper singing to Don about how "the best things in life are free", brought everything this season was to a close: strange, surprising, a little disturbing... and yet somehow making perfect sense.

Standout Episodes: "A Days' Work", "The Strategy", "Waterloo"


3. You're the Worst


Romantic comedy is an old chestnut at this point, so that only makes it even more surprising just how excellent You're the Worst turned out to be. By putting its leads together in the pilot and slowly deconstructing all of the expected romcom tropes, the show was able to focus in on its characters and create two people that we didn't just want to see get together, but that we just wanted to see, because they were both relatable, funny, and well-drawn characters. You're the Worst also benefited from being more than just Jimmy and Gretchen's story - Lindsay and Edgar served as supporting characters that gawk at the idea of just being supporting characters, demanding that Jimmy and Gretchen treat them on their own accord. Additionally, characters like Becca & Todd, Allan, and a special bookstore cat added to the mix to prove that You're the Worst wasn't just about Jimmy and Gretchen's relationship, it was also about the comical, screwed up world that they both inhabit, which only added to the richness of their compelling hook-up. Renewed for a second season, I'm really excited to see where You're the Worst will take that world when it returns next year.

Standout Episodes: "Sunday Funday", "Finish Your Milk", "Fists and Feet and Stuff"

2. Bob's Burgers


Another year, another string of amazing episodes with the Belchers, my favorite TV family with some of my absolute favorite TV characters. Bob's Burgers continued to deliver total acceptance in form of warm, weird, occasionally gross but always hysterical comedy, and this season saw the show produce some of its strongest and most creative ideas yet, from the My Little Pony spoof The Equestranauts that had some interesting things to say about cartoon fanbases, to a Working Girl/Die Hard musical entitled Work Hard or Die Trying, Girl, to a new and improved(?) use for baked beans. As you can see, I love a lot of television shows, so it means something when I say there's no show whose world I look forward to joining more than the loving and twisted world of Bob's Burgers.

Standout Episodes: "Mazel-tina", "The Equestranauts", "Dawn of the Peck"

1. Broad City

I've mentioned several times what an amazing year this was for comedy, and I don't think there's a show that represents that better than Broad City, which was the show I laughed at the most in 2014 and also introduced me and the rest of the world to the comic stylings of Abbi Jacobson and Ilana Glazer, whose humor offers a worldview that differs from anyone else's making television - both in terms of how upfront and honest it is about the struggles of young women in a big city (what other show would coin the phrase 'pussy weed'?) and in terms of just how beautifully, amazingly strange it is at every turn. The humor of Broad City is unlike any other - it's surreal yet grounded in some deep-rooted truth, it's smart and yet unafraid to appeal to its dirtiest impulses, and most importantly, it's just so fucking funny. This year in TV will be remembered as the year so many unique comic voices received a platform to share their stories, and the year that television proved there wasn't one specific way to tell a comedy story. And there's no better show that exemplified all of that than the fearless breath of fresh air that was Broad City.

Standout Episodes: "Working Girls", "Destination Wedding", "The Last Supper".

THERE'S MY LIST. Have a wonderful holiday season and watch all of these shows if you haven't. DO IT NOW.

Monday, December 1, 2014

In honor of NBC Thursdays



Earlier today, NBC announced that it would be burning off the final 13 episodes of Parks and Recreation over the course of two weeks this winter, essentially dumping it off as fast as it possibly could so it could move onto something else. This is not particularly surprising. Parks and Rec has always been a low-rated show, and the fact that it made it to seven seasons is something of a miracle in and of itself.  But it's still not hard to feel a twinge of sadness at this news. Parks and Rec is the last of a very particular brand of comedy on NBC (or at least, the last left on NBC: Community now lives on the internet, where it has always truly belonged), and its unceremonious dumping signals a hard end to an era that sparked some of the greatest, most original comedies to ever air on television. Of course, it's an end that's been in the works for some time: since 2012, to be exact, when network head Bob Greenblatt announced that it would be phasing out its "narrow, sophisticated comedies" in favor of more "broad, wide audience" shows. That move hasn't really worked out: since then, only one NBC freshman comedy has made it to a second season (About a Boy), and that show looks likely to be cancelled before it sees a third. But the networks' direction is clear. Between the cancellation of Community in the spring, the punt of Tina Fey and Robert Carlock's Unbreakable Kimmy Schmidt to Netflix, and the race through the final season of Parks & Rec, NBC is obviously ready to close the chapter on that era in their history. It's cool - all eras have to come to an end, right? But it still seems take a moment to reflect back on just what a truly strange, unique, and all-around fantastic era this was for the network. It was an era that arguably shifted the direction of TV comedy in subtle but major ways, and most importantly, it was an era that gave us some truly fantastic comedy.

It all started in the mid-00s, when NBC was still recovering from losing Friends, Fraiser and Will & Grace, therefore sacrificing most of its cultural identity. TV comedy in general was going through a transitional period - this was the era of Arrested Development, the era where TV comedy was ready to go in strange new directions but the public wasn't yet willing to follow it. But in 2006, The Office started to experience a surprising sophomore surge (it had barely made it past its first season), as both critics and viewers became attached to the shows' mix of conventional and unconventional humor twisted with a fairly sizable helping of pathos. In many ways, The Office seems like the first show that used the off-beat, single-cam vibe and actually saw success with it, paving the way for nearly every beloved comedy that followed it. The success of The Office led to NBC picking up 30 Rock in the spring of 2006, hailed by SNL scribe Tina Fey and boasting a similarly "off-beat workplace sitcom" vibe. 30 Rock wound up pushing the format even further as it totally abandoned any idea of reality, constantly digging up the most bizarre, surreal, and outrageously hilarious jokes it could, pushing past traditional sitcom boundaries to become something that felt different. Then in 2009,
the line-up completed itself with the addition of Parks and Recreation and Community. As Parks and Rec settled into a bravely optimistic show that rejected cynicism and instead looked to build up its characters rather than tear them down, Community experimented with the very idea of what it meant to be a sitcom, constantly questioning itself and everything else on television as it told a strong emotional story about a bunch of unlikely friends sharing a bond. These four shows represented a mindset that both stuck to the tried and true sitcom formula while simultaneously tearing it down, analyzing what it was, and rejected the artificiality of it all. It was perhaps the most experimental night of comedy to ever air on network television, and it was exciting.

There was just one problem: other than The Office, none of these shows ever managed to become actual ratings hits. 30 Rock barely made it past its initial 13-episode order and continued to be low-rated through-out its run. Community and Parks and Recreation were nearly cancelled so many times that each show had at least four different episodes meant to serve as series finales. In any other era, none of these shows likely would've even seen a second season, nevermind a sixth or seventh season. But they were lucky enough to be on NBC in the late '00s/early '10s, a network in such disarray that a bunch of low-rated comedies seemed like a win compared to fiascos like The Jay Leno Show and The Cape and fuckin' Smash. So because of NBC's total failure, we got an era of network comedies that got to push the boundaries of what a network comedy could be - and we got shows that were able to do that for seasons and seasons.

So yes, that era is now over. But is it, really? The sensibilities of those NBC Thursday shows can be found today in cable comedies like Broad City, Review, Rick and Morty, and You're the Worst  - shows that continue to push the boundaries of where a television comedy can go. Who knows if these shows would've happened without the influence of 30 Rock and The Office and Community and Parks and Rec? These shows might not be on NBC anymore, but they live on. They live on in other shows, as well as on Netflix and Hulu and Yahoo and what have you. So we shouldn't cry when this era officially ends in February - instead, we should celebrate what it's accomplished. That's what Leslie Knope, Liz Lemon, Michael Scott, and Abed Nadir would want us to do, right?